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The Düben Collection Database Catalogue in relation to its previous versions and to older catalogues of the Düben collection

Maria Schildt: Printed Music in the Düben Collection

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Volume information

Volume:vmhs 078
Folios:142
Format:2:o
Size:210x330
Gathering structure:<4> + 2/ + 7<6> + 2<7> + <4> + <6>
Vol title:Libro. 6./ di/ Sonate ? Ari?/ G D.// 1665.
Index:[fol 1r] Index./ Pagina./ 1. Hic est panis 2 canti Basso. di Giov. Carisio/ 3. Non potest arbor 3 canti di Giov. Carisio./ 4. O Sacramentum pietatis 3 canti di Giov Carisio/ 5. O dulcedo Amoris A.T.B. Giov Batista Trabbatone/ 6. Veni Sancte Spiritus 2 canti A.T.B. Giov Carisio/ 9. Jauchzet dem Hern doi Canti Basso. 2 viol Christ Ber[n]h/ 11 Quotendimus mortales C.C.B. di Vincenzo Albrici/ 13. O Domine Jesu C.C. di Giov: Carisio/ 13. Ego Dormio et cor meum 2 canti di Horatio Tarditi/ 14. Ad Arma Fideles C.C.B. di Gasp: Forster./ 16. Jerusalem die du t?test C.C.B. 2 viol Christ: Bernh:/ 17. Quanta Pericula doi Canti di Bonifacio Gratiani/ 19. O quam humilis doi canti di Francesco Lucio./ 21. Quando Consolabor doi Canti ? Tenore. D. Bonif: Gratiani/ 23. Missa. di Antoni Rigatti C.C.B. 2 viol e 4 voc: di Ripien./ 28. Vulnerasti cor meum, doi Soprani di Henri Dumont./ 29. Herr Nun lesßestu doi Basso e 5 viole di Franc: Tunder/ 32. Nunc Dimittis Servum Canto Con 2 over: 5 viol Ant: Rigatti/ 34. Dialogo de Holoferne 4 voc: 2 viol: di Gasp: F?rster./ 39. Si Dominus mecum. C.A.T.B. 2 Viol. Giosep: Perande/ 38. In te Domine Speravi C.C.B. di Ant: Rigatti/ 40. Terra Triumphans. in paschatos. C.A.T.B 3 viol: J. H. Schmeltz/ 43. Vocibus Resonent. C.A.B. 2 Violin: ? Bracio. di Gios: Pera[n]de/ 47. Ecce ego mittam piscatores. C.C.B. 2 viol. Fag: di Giosep: Pera[n]de/ 48. O Jucunda Dies. C.C. 2 violini 2 Viol di ga[m]b di Aug: pfleger./ 51. Dedit Abyssus Vocem Suam a 4. C.C.B.B. di Giosep: Pera[n]de/ 54. Dialogi Davidis cum Philist?o C.A.T.B. 4 viole di Gasp: Förster/ 59. L?tabundus et jucundus C.C.T.T. 2 violini di August: Pfleger/ 61. O tu Vita felicissima. A.T.B. 5. viol. di Sam: Capric: ultim/ 63. O quales flores habet C.C.B. 3 viole/ 65= L?tatus sum in his. C.C.B 2 violin: fag/ 68= Sive vivimus sive morimur C.A.B. 2 viol: fag. di Vinc Albr./ 69= O Sanctissime Jesu doi Alti 2 Violin. di Giov Ant: Grossi/ 70= Venit? adven?. C.C.T.B. di Giov Battista Grossi/ [fol 1v] 73. Te solum ?staat C.C.B. 2 violin: Fag: di Gios: Perande/ 75. Ein feste burgh ist vnser Gott C.C.T.B. con instr: F. Tund[er]./ 80. Super flumina C.C.A.T. di Jacomo Carissimi./ 82. O Suavis animarum doi soprani di Costante Ruggiero/ 83. O bone Jesu C.C.B. di Romualdo Honori/ 84. Dilatat? sunt doi Soprani di Sig:re Ant: Maria Abbati/ 85. Audite omnes a 3. C.C. ? B. Jacomo Carissimi/ 86. Quid Tyranni a 3. C.C. ? B./ 87. O dulcis Vita a 5. C.T.B. 2 Viol:/ 89. Repleta est a 5. A.T B. 2 viol di Sig:re GForst/ 91. Tu es cor meum. C.C.B. 2 Violin: fagot: di Vinc: Albric
Description:Thick book with cardboard cover, clothed with bright leather. Front cover outside: Containing the number "78", the title "Libro 2/ di Motetti e Concerti/ G. D.// 1665" written later by a librarian (not GD's original title, that is found on the rear cover!) and two library labels; inside: librarian notes with lead-pencil and a library stamp. Rear cover outside: "Libro. 6./ di/ Sonate ? Ari?/ G D.// 1665.", written upside down, by GD's hand. Index on fol. 1r-1v, written by GD's hand. Fol. 2r is empty. The tabulature scores (fol. 2v-94r) are written by GD's hand. Fol. 95-142 are empty. Folio numbers on the verso side, left upper corner, added by GD; they begin with number 1 on fol. 2v, so that every sheet bears one number lower than it actually counts. The empty sheets are not numbered by GD seem to be of later date than the rest of the book; they have red edging and are of a different paper with a different watermark.
Date1:1665
Date2:1666-1667
Date ref:Vol. title; fol. 13r, 39r, 48r, 54v, 60r, 64r, 69r
Comments:Lagerberg wrote the title on the front cover, classing this volume as number 2 in the serial of GD's big tabulature volumes, when he made the library signatures. On the rear cover another title by GD's hand (Lagerberg seems to have recoloured the original letters, wich are quite faint, but GD's hand can be identified clearly) is found, that marks this volume as number 6. This number is to be seen as the true one; not only because it is written by GD, but also according to the dates given inside the volume. The other four big volumes have dates between 1663 and 1665, which shows that this one is the latest and 6 is its right number. Lagerberg must have assumed that it should be number 2, because this is missing (the four remaining volumes bear the numbers 1, 3, 4 and 5, in GD's original titles), but we have to state that number 2 indeed is lost, if it at all existed. Grusnick says that this volume doesn't have any original title by GD (Grusnick 1966: 108 footnote 77), and means that the title on the rear cover shows that Düben planned to write a different book with "Sonate ? Ari?" before he started to fill it, because it doesn't say anything about "Motetti e Concerti" as the other volumes; but Grusnick also states that it must be volume number 6 because of the dates (Grusnick 1964: 81). If this book indeed was planned as volume number 6 in a serial of books with "Sonate ? Ari?" this would mean that there had once been 5 other such volumes, which all are lost now; that sounds a bit unlikely. It might be the case that he called this volume "Sonate ? Ari?" just because it contains pieces with smaller scoring only (the other volumes contain partly even bigger pieces with double choirs and many instruments, which are totally lacking in this volume), and that it still was ment to be the number 6 in the serial of big volumes.
Sources in volume: 
Carisio:Hic est panis (f. 2v-4r)
Carisio:Non potest arbor bona fructus (f. 4v-5r)
Carisio:O sacramentum pietatis (f. 5v-7r)
Trabattone:O dulcedo amoris et amor dulcedinis (f. 6v-7r)
Carisio:Veni sancte spiritus (f. 7v-10r)
Bernhard:Jauchzet dem Herrn alle Welt (f. 10v-13r)
Albrici:Quo tendimus mortales (f. 12v-14r)
Carisio:O Domine Jesu Christe (f. 14v-15r)
Tarditi O:Ego dormio et cor meum vigilat (f. 14v-16r)
Förster:Ad arma fideles (f. 15v-17v)
Bernhard:Jerusalem die du tötest die Propheten (f. 17v-19r)
Graziani:Quanta pericula quanti terrores (f. 18v-21r)
Lucio:O quam humilis o quam sanctus (f. 20v-23r)
Graziani:Quando consolabor (f. 22v-24r)
Rigatti:Missa (f. 24v-29r)
Du Mont:Vulnerasti cor meum (f. 29v-30r)
Tunder:Herr nun lässest du deinen Diener (f. 30v-34r)
Rigatti:Nunc dimittis servum tuum (f. 33v-35r)
Förster:Viri Israelite audite adsunt gentes (f. 35v-39r)
Rigatti:In te Domine speravi (f. 39v-41r)
Peranda:Si Dominus mecum quis contra me (f. 40v-42r)
Schmelzer:Terra triumphans jubila plaudite nymphae (f. 41v-45r)
Peranda:Vocibus resonent jubilis reboent (f. 44v-48r)
Peranda:Ecce ego mittam piscatores multos (f. 48v-50r)
Pfleger:O jucunda dies (f. 49v-53r)
Peranda:Dedit abyssus vocem suam (f. 52v-55r)
Förster:Congregantes Philistei (f. 55v-60r)
Pfleger:Laetabundus et jucundus exultat (f. 60v-62r)
Capricornus:O tu vita felicissima (f. 62v-64r)
Anonymous:O quales flores habet paradisus (f. 64v-67r)
Anonymous:Laetatus sum in his (f. 66v-69r)
Albrici:Sive vivimus sive morimur (f. 69v-70r)
Grossi:O sanctissime Jesu (f. 70v-72r)
Grossi:Venite advenae currite incolae (f. 71v-74r)
Peranda:Te solum aestuat valde desiderat (f. 74v-76r)
Tunder:Ein feste Burg ist unser Gott (f. 76v-81r)
Carissimi:Super flumina Babylonis (f. 81v-83r)
Cossoni:O suavis animarum vulnerator (f. 83v-85r)
Honorio:O bone Jesu o suavis amor adjuva me (f. 84v-86r)
Abbatini:Dilatatae sunt tribulationes (f. 85v-87r)
Carissimi:Audite omnes quodquod (f. 86v-88r)
Anonymous:Quid tyranne quid minaris quicquid (f. 87v-89r)
Anonymous:O dulcis vita o Jesu amor tua sagitta (f. 88v-90r)
Förster:Repleta est malis anima nostra (f. 90v-93r)
Albrici:Tu es cor meum (f. 92v-94r)
Watermarks in volume: 
wmnrWm_nameVariantWatrefCmarkComment
728EagleDouble-headed eagle with crown - MPLBMPLBDate: Found in the tab volume vmhs 077 and vmhs 078.
743Seven provinces7 prov/PRO PATRIA EIUSQUE LIBERTATE/VRYHEYT - IVIVThe word "VRYHEYT" is written on the socle the lion stands on, the other words inside the double circle.